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The Short Story: The Reality of Artifice By Charles May

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Sales Rank: #806664 in Books
Brand: Brand: Routledge
Published on: 2002-01-04
Released on: 2002-01-17
Original language: English
Number of items: 1
Dimensions: 9.00" h x .41" w x 6.00" l, .54 pounds
Binding: Paperback
182 pages

Features

Used Book in Good Condition

From Booklist
By a well-known critic of the genre, a general survey of the history and properties of the short story from its genesis in the mist-shrouded early history of literature to its alive-and-kicking state today. This book deserves a place in any public library literature collection because good critical guides to the short story are few and far between, and this one is excellent. Chapter one, appropriately entitled "Overview," reaches back to Boccaccio and Cervantes to find the short story's roots, then succeeding chapters focus on the nineteenth century, when the short story in what we recognize as its modern form began, and move on to the twentieth century, during which it has grown into maturity as a literary form with full integrity. Along the way, May not only discusses important writers but identifies important trends and movements. An appended list of recommended titles wraps up May's edifying presentation. Brad Hooper

Review
"Good critical guides to the short story are few and far between, and this one is excellent."
-"Booklist
"Arguing that short fiction secularizes mythic perception, May provides both an account of generic change and incisive readings of canonical authors and specific stories. One of the book's greatest merits is its concluding bibliographic essay, which will be indispensable to students new to the short story as well as scholars familiar with the field.
--Michael Trussler."
-Ihe Private Voice

From the Back Cover
With The Short Story: The Reality of Artifice, Charles E. May, a foremost authority on the genre, contributes a major effort to examine the history and characteristics of the short story from a critical perspective. Drawing on twenty-five years' experience studying the form, May argues that the development of the short story has always reflected "a tension between the traditional mythic origins of the form and the increasing pressures of modernism to depict 'real life.'" The book commences with an incisive overview, tracing how the conventions of the short story have evolved over time, from the form's origins in myth and folktale through its immersions into romanticism, realism, formalism, and, in the contemporary renaissance, the twin streams of magical realism and hyperrealism. In four core chapters May charts the major periods in the genre's development, along the way delving into the stories of a host of representative writers - among them Hawthorne, Poe, Conrad, Chekhov, Hemingway, Porter, Barthelme, and Carver - and offering close readings that entertain as they inform. An in-depth bibliographic essay surveys the principal criticism devoted to the form, while an annotated list of recommended titles furnishes readers with a useful guide to the primary English, American, and European stories of the nineteenth and twentieth centuries; a detailed chronology sets forth key publication and birth/death dates from the 1340s to the 1990s. A masterfully written yet eminently accessible study, The Short Story: The Reality of Artifice constitutes an important new resource for students, scholars, writers, and the reading public at large.

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